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hyperrealism
The hyper-realistic silicone sculpture manages to transmit emotion and multiple sensations to the people who contemplate it, with very positive results at the sensory level.
Currently it is an artistic facet little known by the public in Spain, mainly by the few artists who master this art.
The exhibitions carried out at the peninsular level are usually by foreign artists.
For this reason, I think it is time to demonstrate that, from here, you can create hyper-realistic sculpture, made by native artists, with the same excellence, quality and detail that we can appreciate in artists from other countries.
My work is clearly influenced by genre cinema in my early days, later evolving towards a more demanding and social style, always without losing the guiding thread of my works: the obsession to create fiction that the mind processes as reality.
I use hyperrealist sculpture as a cultural vehicle that allows transformation, generating citizen awareness. Through my sculptures, the human being contemplates and admires the world, himself and others. The viewer is provided with a visual experience that favors the expression and communication of what they perceive, feel and think, trying to reach with art where conventional social and political approaches do not reach.
Currently it is an artistic facet little known by the public in Spain, mainly by the few artists who master this art.
The exhibitions carried out at the peninsular level are usually by foreign artists.
For this reason, I think it is time to demonstrate that, from here, you can create hyper-realistic sculpture, made by native artists, with the same excellence, quality and detail that we can appreciate in artists from other countries.
My work is clearly influenced by genre cinema in my early days, later evolving towards a more demanding and social style, always without losing the guiding thread of my works: the obsession to create fiction that the mind processes as reality.
I use hyperrealist sculpture as a cultural vehicle that allows transformation, generating citizen awareness. Through my sculptures, the human being contemplates and admires the world, himself and others. The viewer is provided with a visual experience that favors the expression and communication of what they perceive, feel and think, trying to reach with art where conventional social and political approaches do not reach.
me, pregnant
This work speaks for itself, to give oneself unconditionally in all circumstances.
It is abdication, it is willpower and determination to care for a helpless individual of our own kind.
Motherhood physically represented from the most natural point of view.
This work is a personal project of the artist to be exhibited in various exhibitions in Madrid, Cádiz, Barcelona and Switzerland, in 2018, as a promotion of the Babyclon® brand directed by the artist.
It is currently part of his private collection.
Hyperrealistic silicone sculpture
175X80X50cm
It is abdication, it is willpower and determination to care for a helpless individual of our own kind.
Motherhood physically represented from the most natural point of view.
This work is a personal project of the artist to be exhibited in various exhibitions in Madrid, Cádiz, Barcelona and Switzerland, in 2018, as a promotion of the Babyclon® brand directed by the artist.
It is currently part of his private collection.
Hyperrealistic silicone sculpture
175X80X50cm
The force
La Fuerza represents the experience and struggle of our elderly women. With their faces marked by the wrinkles of time and battle, they have enough strength left to lend us a hand in any situation.
Her eyes, her breasts and every part of her represent the past, present and also the future of our empathic, emotional and maternal nature.
Departing from the imposed canons of beauty, La Fuerza is represented as a natural woman, for this reason, for its creation, molds of more than 10 real women have been used, integrated and combined with each other, so that the sculpture not only represents to our older women, but they are also part of it.
For them, we will continue to build bridges so that we can travel on the path of hope and equality. This will undoubtedly be the best legacy we can leave to future generations.
Hyperrealistic silicone sculpture
172 X 48 X 75cm
Her eyes, her breasts and every part of her represent the past, present and also the future of our empathic, emotional and maternal nature.
Departing from the imposed canons of beauty, La Fuerza is represented as a natural woman, for this reason, for its creation, molds of more than 10 real women have been used, integrated and combined with each other, so that the sculpture not only represents to our older women, but they are also part of it.
For them, we will continue to build bridges so that we can travel on the path of hope and equality. This will undoubtedly be the best legacy we can leave to future generations.
Hyperrealistic silicone sculpture
172 X 48 X 75cm
The patriarch
The Patriarch refers to that generation that begins its final cycle of life: old age.
It tries to represent the father that we have or no longer have, that we will be or will be our children, when time becomes a scarce resource and priorities are transformed.
It talks about taking advantage of the wisdom given by our elders so that when we look back one day, we have the certainty that we would live the same life again if we had another chance.
The Patriarch is a personal work by the artist Cristina Jobs (Cristina Iglesias) recently made to be exhibited at the Dubai Mall, an exhibition that has been frustrated due to the Covid19 pandemic.
Its almost microscopic detail is amazing, especially when looking closely at the facial hair.
Hyperrealistic silicone sculpture
44X40X30cm
It tries to represent the father that we have or no longer have, that we will be or will be our children, when time becomes a scarce resource and priorities are transformed.
It talks about taking advantage of the wisdom given by our elders so that when we look back one day, we have the certainty that we would live the same life again if we had another chance.
The Patriarch is a personal work by the artist Cristina Jobs (Cristina Iglesias) recently made to be exhibited at the Dubai Mall, an exhibition that has been frustrated due to the Covid19 pandemic.
Its almost microscopic detail is amazing, especially when looking closely at the facial hair.
Hyperrealistic silicone sculpture
44X40X30cm
The bubble
In a world with more screens than windows, looking into each other's eyes is on the way to becoming a revolutionary act.
This work, following the creative line of Cristina Jobs, is based on the need for social change, using hyperrealistic sculpture as a tool to create sensations and emotions.
We are facing a generation of dopamine-fed digital natives, at the service of the manipulation of ideas and persuasion by social engineering.
With this work, the following question is questioned: What is the reason for this interest in shortening the frontal cortex in developing brains, through overstimulation, blocking frustration control?
Those who design children's apps, increasingly addictive, keep their children out of them, taking them to schools where ICTs practically do not enter. It is quite clear that this system is used as the new opium for the current and future society.
Observing the work, and analyzing its content, we realize that we are creating a generation of automatons chained to a screen, with more and more problems of socialization, concentration and hyper sexualization, and consequently, fragile, vulnerable, frustrated and lacking children. self-esteem.
It is estimated that, following this rate of technology consumption, in 10 years we will have a weapon to break the will.
How could the interests of big business have slipped in as progress for our children?
This work vindicates the need for a social change from the education of our children, helping them to form their personality, their ideas and their preferences based on their own being, without the rigid manipulation of the masses to which we are subjecting them.
Only by educating them as free human beings will they be able to find the balance for coexistence with technology.
This work, following the creative line of Cristina Jobs, is based on the need for social change, using hyperrealistic sculpture as a tool to create sensations and emotions.
We are facing a generation of dopamine-fed digital natives, at the service of the manipulation of ideas and persuasion by social engineering.
With this work, the following question is questioned: What is the reason for this interest in shortening the frontal cortex in developing brains, through overstimulation, blocking frustration control?
Those who design children's apps, increasingly addictive, keep their children out of them, taking them to schools where ICTs practically do not enter. It is quite clear that this system is used as the new opium for the current and future society.
Observing the work, and analyzing its content, we realize that we are creating a generation of automatons chained to a screen, with more and more problems of socialization, concentration and hyper sexualization, and consequently, fragile, vulnerable, frustrated and lacking children. self-esteem.
It is estimated that, following this rate of technology consumption, in 10 years we will have a weapon to break the will.
How could the interests of big business have slipped in as progress for our children?
This work vindicates the need for a social change from the education of our children, helping them to form their personality, their ideas and their preferences based on their own being, without the rigid manipulation of the masses to which we are subjecting them.
Only by educating them as free human beings will they be able to find the balance for coexistence with technology.
Goya in the 21st century
This work encourages us to reflect on what would happen to Goya's work if he had lived in the 21st century.
Goya, as an author who shows social concerns in his work, talks to us about torture, politics,
deprivation and injustice.
This work represents this stage of Goya, in which censorship withdraws his work from the world, due to the simple condition of
Represent a naked body.
“Goya in the 21st century intends to criticize today's society and the censorship that still affects us today.
prohibit the exhibition of art in the largest current showcase: social networks.
The author of this work feels very identified with this type of public censorship. Cristina Jobs's social networks are constantly blocked and censored, for the sole reason of wanting to show her art, without covering it up, shamelessly, without fear, art as such. just art.
If Goya lived in the 21st century, would his work have been censored, due to the supposedly moralistic wave of the great showcase as it was in 1800? The answer is yes.
The author invites you to observe the work and think: How has the perspective of today's society evolved?
Do we accept that they censor images of works related to the naked human body, especially if it corresponds to women? Does the plastic artist face the freedom to create and show his work in the 21st century?
The author is inclined to think that "perhaps what can be dirty is the look, not the work"
Hyperrealistic silicone sculpture
32X30X35cm
Goya, as an author who shows social concerns in his work, talks to us about torture, politics,
deprivation and injustice.
This work represents this stage of Goya, in which censorship withdraws his work from the world, due to the simple condition of
Represent a naked body.
“Goya in the 21st century intends to criticize today's society and the censorship that still affects us today.
prohibit the exhibition of art in the largest current showcase: social networks.
The author of this work feels very identified with this type of public censorship. Cristina Jobs's social networks are constantly blocked and censored, for the sole reason of wanting to show her art, without covering it up, shamelessly, without fear, art as such. just art.
If Goya lived in the 21st century, would his work have been censored, due to the supposedly moralistic wave of the great showcase as it was in 1800? The answer is yes.
The author invites you to observe the work and think: How has the perspective of today's society evolved?
Do we accept that they censor images of works related to the naked human body, especially if it corresponds to women? Does the plastic artist face the freedom to create and show his work in the 21st century?
The author is inclined to think that "perhaps what can be dirty is the look, not the work"
Hyperrealistic silicone sculpture
32X30X35cm
robotics
Babyclon® could not be missing from Cristina Jobs' portfolio. It is his most important business project to date, and the world's leading brand in innovation of silicone sculptures for collecting.
This work tries to combine art and robotics in a reciprocal relationship. The visual impact that this piece generates before the public is of a surprising and amazing response. It is living art, which breathes, moves its mouth, eyes, neck, blinks, and changes its facial expression before the person who observes it.
It recreates the birth of a human that, although it acts as such, is nothing more than an artificial skin with mechanical and electronic mechanisms inside that, ultimately, make its behavior what its creator wants at all times, simulating the first days of life.
The use of the word "life" can be surprising together with the adjective "artificial". However, this should not be the case if we want to avoid an essentialist definition of what life is.
The question that the spectator asks himself before this piece is:
It is real
This work tries to combine art and robotics in a reciprocal relationship. The visual impact that this piece generates before the public is of a surprising and amazing response. It is living art, which breathes, moves its mouth, eyes, neck, blinks, and changes its facial expression before the person who observes it.
It recreates the birth of a human that, although it acts as such, is nothing more than an artificial skin with mechanical and electronic mechanisms inside that, ultimately, make its behavior what its creator wants at all times, simulating the first days of life.
The use of the word "life" can be surprising together with the adjective "artificial". However, this should not be the case if we want to avoid an essentialist definition of what life is.
The question that the spectator asks himself before this piece is:
It is real
Baby Avatar
This work is the most important of the Híbridos collection, by Cristina Jobs. Although art can portray what cannot be seen, this work tells us about the paradox of the existence of these beings, which lies in the fact that all hybrids are part of the group of "existents", that is, beings identified and named by a society that can be humans, animals, or other beings that inhabit the imaginary of a civilization.
Baby Avatar is the most famous work of Babyclon®, the brand of silicone baby sculptures created by Cristina Iglesias (Cristina Jobs) in 2015. This artistic work went viral all over the world, to the point of receiving interest from James Cameron and 20th Century Fox, which gave up the image rights for the creation of said model. Winner of countless awards, including Best Fantasy Sculpture in the world at RoseShow 2016 (Colorado).
Hyperrealistic silicone sculpture
47X15X12cm
Baby Avatar is the most famous work of Babyclon®, the brand of silicone baby sculptures created by Cristina Iglesias (Cristina Jobs) in 2015. This artistic work went viral all over the world, to the point of receiving interest from James Cameron and 20th Century Fox, which gave up the image rights for the creation of said model. Winner of countless awards, including Best Fantasy Sculpture in the world at RoseShow 2016 (Colorado).
Hyperrealistic silicone sculpture
47X15X12cm
ET.
E.T is a commissioned work and one of the last pieces made by Cristina Jobs and her team. This emblematic character from our childhood, which for the first time showed us aliens as kind beings, was originally designed by Carlo Rambaldi.
Cristina Jobs gives an updated air to the original design, bringing realism to the skin, eyes and details, but preserving its original anatomy.
This piece was praised by Daniela Rambaldi herself, daughter of the designer and creator of the original character of the film, and director of the Fundazione Carlo Rambaldi.
It is currently part of the private collection of a collector.
Cristina Jobs gives an updated air to the original design, bringing realism to the skin, eyes and details, but preserving its original anatomy.
This piece was praised by Daniela Rambaldi herself, daughter of the designer and creator of the original character of the film, and director of the Fundazione Carlo Rambaldi.
It is currently part of the private collection of a collector.
Hybrid Pig
This work belongs to the Híbridos collection. It is a personal project of the artist that represents these creatures that have mutated from free and limitless imagination to the world of art as a model to better understand ourselves and from this, relate to what surrounds us.
Under this concept, Hybrid Pig was born, an endearing creature, friendly but at the same time mysterious, that moves those who observe it.
Hyperrealistic silicone sculpture
30X22X23cm
Under this concept, Hybrid Pig was born, an endearing creature, friendly but at the same time mysterious, that moves those who observe it.
Hyperrealistic silicone sculpture
30X22X23cm
Aliens in Deltebre
This piece is part of the work "Aliens in Deltebre", a clear criticism of the ease of creating and spreading a "fake new".
The series of home videos and the documentary teaser that completes this work, raises the dilemma that always accompanies the appearance of the stranger: a threat to the belief in our own importance, to our uniqueness, and consequently, the lack of public information in front of a possible contact and the creation of secrecy in the face of the seizure of mass panic and political chaos.
Fake News have become a constant and real problem when it comes to discerning the credibility of information. Humanity is thirsty for answers, but before panicking, we must verify all the information that comes to our senses.
Hyperrealistic silicone sculpture
27X32X27cm
The series of home videos and the documentary teaser that completes this work, raises the dilemma that always accompanies the appearance of the stranger: a threat to the belief in our own importance, to our uniqueness, and consequently, the lack of public information in front of a possible contact and the creation of secrecy in the face of the seizure of mass panic and political chaos.
Fake News have become a constant and real problem when it comes to discerning the credibility of information. Humanity is thirsty for answers, but before panicking, we must verify all the information that comes to our senses.
Hyperrealistic silicone sculpture
27X32X27cm
Master
This work belongs to the Animal collection, by Cristina Jobs. It is a tribute to sensory perception as a faculty that is increasingly undervalued by human beings.
The master is companion, intelligence, obedience, protection, community, cooperation, and communication, from a deep look, from respect for individuality.
The master is currently on display at the Crazy park in Panama.
The full-scale prototype of the bust is truly amazingly detailed, and belongs to the author's private collection.
The master is companion, intelligence, obedience, protection, community, cooperation, and communication, from a deep look, from respect for individuality.
The master is currently on display at the Crazy park in Panama.
The full-scale prototype of the bust is truly amazingly detailed, and belongs to the author's private collection.
kibubu
This work refers to nobility, as an adjective of a being.
Kibubu, like other gorilla, gives us the message that we must relate to others with temperament, understanding, compassion and balance in mind. The gorilla rarely earns respect through beauty, however, it does through decency, honesty, and charisma.
Kibubu is the star of ClonFactory, the hyper-realistic sculpture and special effects company for cinema directed by Cristina Iglesias (Cristina Jobs).
It is a full-scale gorilla bust, which was created for a play (Kibubu) that has gone around the world, from 2015 to the present. It is a masterpiece made to the smallest detail.
This piece belongs to the prototype made by the artist, prior to making the piece that is available to the client.
Kibubu, like other gorilla, gives us the message that we must relate to others with temperament, understanding, compassion and balance in mind. The gorilla rarely earns respect through beauty, however, it does through decency, honesty, and charisma.
Kibubu is the star of ClonFactory, the hyper-realistic sculpture and special effects company for cinema directed by Cristina Iglesias (Cristina Jobs).
It is a full-scale gorilla bust, which was created for a play (Kibubu) that has gone around the world, from 2015 to the present. It is a masterpiece made to the smallest detail.
This piece belongs to the prototype made by the artist, prior to making the piece that is available to the client.
BB Gorilla Albino
The albino baby gorilla belongs to the Pets collection of the Babyclon® brand of silicone sculptures, created by the artist Cristina Jobs. It is the albino version of the BB Gorilla.
The look of this little gorilla, in which it is also easy to recognize oneself, evokes a hymn to life, and specifically, to difference. It reflects the emotional intelligence of other species supposedly less developed than ours, which normalize differences, whether they be of race or even disabilities.
The Albino Gorilla shares a shape (mold) with the Baby Gorilla piece.
It is the first sculpture created in 3D of the Babyclon® brand
The look of this little gorilla, in which it is also easy to recognize oneself, evokes a hymn to life, and specifically, to difference. It reflects the emotional intelligence of other species supposedly less developed than ours, which normalize differences, whether they be of race or even disabilities.
The Albino Gorilla shares a shape (mold) with the Baby Gorilla piece.
It is the first sculpture created in 3D of the Babyclon® brand
B.B. Gorilla
The Baby Gorilla belongs to the Pets collection of the Babyclon® brand of silicone sculptures, created by the artist Cristina Jobs.
This work is a tribute to them, the animals, who share our planet and suffer in silence from our big or small wars, are the silent witnesses of what is happening in what is also their habitat.
There was a time when men were more like them than what we are now or what we have become after millennia of evolution, and yet it was us, human beings, who once had to protect ourselves from animals. Now it is rather the other way around.
This thoughtful look through the eyes of a newborn baby gorilla looking forward to a lifetime.
This work is a tribute to them, the animals, who share our planet and suffer in silence from our big or small wars, are the silent witnesses of what is happening in what is also their habitat.
There was a time when men were more like them than what we are now or what we have become after millennia of evolution, and yet it was us, human beings, who once had to protect ourselves from animals. Now it is rather the other way around.
This thoughtful look through the eyes of a newborn baby gorilla looking forward to a lifetime.
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